Sebastian Cichocki is the chief curator and head of research at the Museum of Modern Art in Warsaw. Selected exhibitions curated and co-curated by Cichocki at the Museum of Modern Art in Warsaw include: ‘Who Will Write the History of Tears. Artists on Women’s Rights’ (2021), ‘The Penumbral Age. Art in the Time of Planetary Change’ (2020), ‘Never Again. Art against War and Fascism in the 20th and 21st centuries’ (2019). Other recent curatorial projects include ‘The Postartistic Congress’, Sokołowsko (2021), ‘Primary Forms’, exhibition at primary schools around Poland (2021), Bródno Biennale, Warsaw (2018). Cichocki also curated the Polish Pavilion at the 52nd and 54th Venice Biennales of Art (in 2007 with Monika Sosnowska, in 2011 with Yael Bartana). He has curated exhibitions in the form of a novella, radio drama, opera libretto, parade, garden, post-growth residency programme, and performance lectures. Cichocki is one of the founding members of The Consortium for Postartistic Practices and The Office for Postartistic Services. He is a 2018 fellow at the Center for Curatorial Leadership, MoMA, New York..

Steffen Wellinger is professor in architecture at the Department of architecture and planning at NTNU in Trondheim/Norway. He is interested in the reciprocal relation of sustainability, health and beauty in architecture. His educational activities and research are mainly focused on the public realm and public buildings. Steffen is as well coordinating the NTNU Live Studio where students carry out co-curricular activities such as strategic urban interventions. NTNU Live Studio has in 2015 received the Norwegian Education Award.

Rasmus Holmboe is postdoc at the research centre Art as Forum at University of Copenhagen, where he works on a project with the Museum of Contemporary Art in Roskilde under the title The Distributed Art Museum. His work traverses the fields of curating, sound studies, art history, musicology and museology with a strong interest in the social and political infrastructures and institutions of the art world. PhD (2019) with the dissertation The Resonant Museum: Sound, Art and the Politics of Curating.

Signe Meisner Christensen is a curator and art researcher based in Aarhus. She works in-between curating, art-based research, and combines academic and collaborative, transdisciplinary work. Her research, which is often practice-based, focuses on the methods and the experiential formats through which curatorial inquiry articulates itself. She approached curatorial action as a making practice that collaborates to enable ecosystems and shared worlds to grow. She holds a PhD in contemporary curating from Aarhus University and presently teaches at Urban Design and Art and Technology, Aalborg University. Recent publications include co-editing the volume “New Infrastructures, Performative Infrastructures in the Art Field”, special issue of Passepartout.

Kati Kivinen is head curator at Museum of Contemporary Art Kiasma in Helsinki, where she is responsible for the exhibitions, acquisitions and commissions, and research on the museum’s collections. Her recent curatorial projects there include group exhibitions: Mad Love: The Seppo Fränti Collection at Kiasma (2020); Coexistence: Human, Animal and Nature in Kiasma’s Collections, Kiasma, Helsinki (2019); There and Back Again: Contemporary Art from the Baltic Sea Region, Kiasma, Helsinki (2018); and solo exhibitions of Mika Vainio: 50 Hz (2020). She worked as Artistic Director of AV-arkki - The Centre for Finnish Media Art, where she curated a number of screening programs (2009-2010).